Marginalia press release
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia press release
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014
Ink on paper
12 1/2 x 10 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014
Ink on paper
12 1/2 x 10 inches
Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.])
Polished copper
21 x 26 inches
Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011)
Polished copper
36 x 96 x 1/8 inches
Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011)
Polished copper
120 x 60 inches
Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)
Polished copper
96 x 48 inches
Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)
96 x 48 inches
Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)
Polished copper
Dimensions variable, 7 parts
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom)
Polished copper
11 x 60 x 60 inches
Surrogates (Modular, Art Handling), 2014–
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom)
Polished copper
11 x 60 x 60 inches
Surrogates (Modular, Art Handling), 2014–
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom)
Polished copper
11 x 60 x 60 inches
Surrogates (Modular, Art Handling), 2014–
Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)
Cyanotype chemistry on canvas
96 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)
Cyanotype chemistry on canvas
104 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, February 1–April 30, 2014)
Cyanotype chemistry on canvas
127 3/4 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, February 1–April 30, 2014)
Cyanotype chemistry on canvas
98 1/2 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, February 1–April 30, 2014)
Cyanotype chemistry on canvas
80 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, May 1–August 1, 2014)
Cyanotype chemistry on canvas
89 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, May 1–August 1, 2014)
Cyanotype chemistry on canvas
90 1/2 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, August 1–October 20, 2013)
Cyanotype chemistry on canvas
57 x 74 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, August 1–October 20, 2013)
Cyanotype chemistry on canvas
57 x 69 inches
Cyanotype Paintings, 2013–2015
Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format.
Letterpress
14 x 8 1/2 inches
Multiples
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: May 26–30, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: May 26–30, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: June 12–23, 2011 LAX/IAD/MAD MAD/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 12–23, 2011 LAX/IAD/MAD MAD/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: July 6–10, 2011 LAX/ORD/PWM PWM/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: July 6–10, 2011 LAX/ORD/PWM PWM/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: July 30–August 2, 2011 LAX/DEN/RAP RAP/DEN/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: July 30–August 2, 2011 LAX/DEN/RAP RAP/DEN/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: August 20–24, 2011 LAX/ORD/MIA MIA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: August 20–24, 2011 LAX/ORD/MIA MIA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 1–11, 2011 LAX/IAD/BRU BRU/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: September 1–11, 2011 LAX/IAD/BRU BRU/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 19–28, 2011 LAX/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: September 19–28, 2011 LAX/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 8–10, 2011 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 8–10, 2011 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 21–24, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 21–24, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: December 15–17, 2011 LAX/SFO/SEA SEA/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: December 15–17, 2011 LAX/SFO/SEA SEA/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: February 16–20, 2012 LAX/ORD ORD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: February 16–20, 2012 LAX/ORD ORD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 1–2, 2012 LAX/SLC SLC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 1–2, 2012 LAX/SLC SLC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 15–19, 2012 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 15–19, 2012 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 2–5, 2012 LAX/PVD JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 2–5, 2012 LAX/PVD JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 13–23, 2012 LAX/SFO/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 13–23, 2012 LAX/SFO/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 5–12, 2012 LAX/SFO/FRA ZHR/FRA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: June 5–12, 2012 LAX/SFO/FRA ZHR/FRA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: July 20–23, 2012 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: July 20–23, 2012 LAX/JFK JKF/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: August 2–6, 2012 LAX/SFO/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 2–6, 2012 LAX/SFO/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 24–October 2, 2012 LAX/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 24–October 2, 2012 LAX/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 3–8, 2012 LAX/JFK IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 3–8, 2012 LAX/JFK IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 11–14, 2012 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 11–14, 2012 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: November 15–18, 2012 LAX/SFO/BOS BOS/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: November 15–18, 2012 LAX/SFO/BOS BOS/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: November 20–December 7, 2012 LAX/IAD/VIE VIE/CDG CDG/DUS/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: November 20–December 7, 2012 LAX/IAD/VIE VIE/CDG CDG/DUS/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: May 8–13, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: May 8–13, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 3–5, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 3–5, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 12–25, 2013 LAX/ORD/CDG CDG/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 12–25, 2013 LAX/ORD/CDG CDG/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: January 31–February 17, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: January 31–February 17, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: May 31–June 11, 2013 LAX/SFO/FRA/BEY BEY/CDG CDG/AMS/ZRH FRA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: May 31–June 11, 2013 LAX/SFO/FRA/BEY BEY/CDG CDG/AMS/ZRH FRA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 14–18, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: June 14–18, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 27–July 2, 2013 LAX/ORD/LHR LHR/IAH/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 27–July 2, 2013 LAX/ORD/LHR LHR/IAH/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: July 28–August 10, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: July 28–August 10, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: August 18–24, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 18–24, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 26–29, 2013 LAX/ELP ELP/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 26–29, 2013 LAX/ELP ELP/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 13–17, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1021: October 13–17, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 18–22, 2013 LAX/SFO/CDG CDG/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 18–22, 2013 LAX/SFO/CDG CDG/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 24–27, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 24–27, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV TLV/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 21–December 1, 2013 LAX/EWR/TLV TLV/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1022: December 2–3, 2013 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: December 2–3, 2013 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 12–18, 2014 LAX/IAD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 12–18, 2014 LAX/IAD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: March 12–17, 2014 LAX/LHR/TXL TXL/MUC MUC/TXL TXL/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: March 12–17, 2014 LAX/LHR/TXL TXL/MUC MUC/TXL TXL/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 29–May 8, 2014 LAX/JFK LGA/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: April 29–May 8, 2014 LAX/JFK LGA/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: May 25–June 8, 2014 LAX/LHR/TXL TXL/FRA/BEY BEY/FRA/TXL TXL/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: May 25–June 8, 2014 LAX/LHR/TXL TXL/FRA/BEY BEY/FRA/TXL TXL/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 26–July 15, 2014 LAX/EWR JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: June 26–July 15, 2014 LAX/EWR JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 6–12, 2014 LAX/MCO/EYW EYW/FLL/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 6–12, 2014 LAX/MCO/EYW EYW/FLL/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 6–October 16, 2014 LAX/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 6–October 16, 2014 LAX/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 1–5, 2014 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 1–5, 2014 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 17–September 18, 2014 LHR/TXL/TXL/LHR]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 17–September 18, 2014 LHR/TXL/TXL/LHR]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 20–21, 2014 LCY/ZRH ZRH/LCY]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 20–21, 2014 LCY/ZRH ZRH/LCY]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 1–9, 2014 LAX/EWR EWR/MUC/TXL TXL/MUC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 NC Em. No. 1022: November 1–9, 2014 LAX/EWR EWR/MUC/TXL TXL/MUC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 20–27, 2014 LAX/LHR LHR/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 20–November 27, 2014 LAX/LHR/LHR/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Marginalia press release
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia press release
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Marginalia
Thomas Dane Gallery
London
United Kingdom
2014
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 17, 2014
Ink on paper
12 1/2 x 10 inches
Philips Norelco TR980 Turbo Vacuum Trimmer (broken), Great Arthur House, #44, Fann Street, Golden Lane Estate, London, EC1, September 18, 2014
Ink on paper
12 1/2 x 10 inches
Copper Remnant (Reception [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72714A (produced in conjunction with Matthew Wilkin, Director; Jason Murison, Director; Theodora Gilman, Assistant to the Directors; Nick Bennett, Gallery Assistant), Copper Surrogate (Reception Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26 –August 18, 2014), conceived in 2013, produced in 2014,made of polished copper and powder-coated steel with the dimensions 145 3/16 x 226 1/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $42,933.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Directors [Source: wood, laminate, and particleboard desk designed by Project-Space/Jonathan Caplan from the reception office at Friedrich Petzel Gallery, New York. Surrogate: WB72814A (produced in conjunction with Andrea Teschke, Partner; Kat Parker, Artist Liaison; Samantha Tsao, Partner; Laura Higgins, Gallery Manager; Marco Palumbo and Alexis Diop, Interns), titled Copper Surrogate (Desk, section 1: designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–August 18, 2014), conceived in 2013, produced in 2014, made of polished copper and powdercoated steel with the dimensions 201 3/8 x 355 3/8 x 1 1/2 inches as a singular object. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $74,683.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19th through June 23rd 2014. Installed in place of Project-Space/Jonathan Caplan reception desk at 456 West 18th Street, New York on June 26th 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty at Friedrich Petzel Gallery, New York, closing August 8th 2014.]; Bookkeeping [Source: wood, laminate, and particleboard bookkeeping desk designed by Project-Space/Jonathan Caplan from the bookkeeping office at Friedrich Petzel Gallery, New York. Surrogate: WB72614A (produced in conjunction with Beverly Banks and Cecilia Roberts, Bookkeepers), Copper Surrogate (designed by Project-Space/Jonathan Caplan, 456 West 18th Street, New York, New York, June 26–October 4, 2014), conceived in 2013, produced in 2014, made of polished copper and powder-coated steel with the dimensions 68 5/8 x 125 1/8 x 1 1/2 inches. Production completed by Benchmark Scenery Incorporated, Glendale, California from 48 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet and 24 ounce Electrolytic-Tough-Pitch C11000 Copper Alloy cut from 60 x 120 inch mirror-polished sheet, with formed corners where necessary, copper plated hardware, perimeter edge French cleat system, and separate black powder-coated steel support structures. $21,080.00 production cost including travel and storage crates with floating lockable cleat system. Unexposed surrogates shipped by Crate 88 Incorporated from Los Angeles to New York, June 19 through June 23, 2014. Installed in place of Project-Space/Jonathan Caplan desk at 456 West 18th Street, New York on June 26, 2014, exposure through the duration of A Machinery for Living organized by Walead Beshty and Walead Beshty: Performances Under Working Conditions at Friedrich Petzel Gallery, New York, closing October 4, 2014.])
Polished copper
21 x 26 inches
Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 8, 2011)
Polished copper
36 x 96 x 1/8 inches
Copper Remnant (Table: designed by unknown, date unknown; Rue de Livourne 35, Brussels, Belgium, September 6, 2011)
Polished copper
120 x 60 inches
Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)
Polished copper
96 x 48 inches
Remnant, Template, Armature (FedEx® Tube ©2005 FEDEX 139752 REV 10/05 SSCC, Glendale, California, September 2, 2011)
96 x 48 inches
Copper Remnants (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection/5 Sections)
Polished copper
Dimensions variable, 7 parts
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90° Bend, 60” Bisection/Section 3: October 20/27, 2014, Paris, France; November 25/January 26–27, 2014, London, United Kingdom)
Polished copper
11 x 60 x 60 inches
Surrogates (Modular, Art Handling), 2014–
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 4: November 25/January 26–27, 2014, London, United Kingdom)
Polished copper
11 x 60 x 60 inches
Surrogates (Modular, Art Handling), 2014–
Copper Surrogate (60” x 120” 48 ounce C11000 Copper Alloy, 90º Bend, 60” Bisection:/Section 5: November 25/January 26–27, 2014, London, United Kingdom)
Polished copper
11 x 60 x 60 inches
Surrogates (Modular, Art Handling), 2014–
Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)
Cyanotype chemistry on canvas
96 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, October 21, 2013–January 31, 2014)
Cyanotype chemistry on canvas
104 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, February 1–April 30, 2014)
Cyanotype chemistry on canvas
127 3/4 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, February 1–April 30, 2014)
Cyanotype chemistry on canvas
98 1/2 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, February 1–April 30, 2014)
Cyanotype chemistry on canvas
80 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, May 1–August 1, 2014)
Cyanotype chemistry on canvas
89 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, May 1–August 1, 2014)
Cyanotype chemistry on canvas
90 1/2 x 55 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, August 1–October 20, 2013)
Cyanotype chemistry on canvas
57 x 74 inches
Cyanotype Paintings, 2013–2015
Marginalis (Los Angeles, California, August 1–October 20, 2013)
Cyanotype chemistry on canvas
57 x 69 inches
Cyanotype Paintings, 2013–2015
Walead Beshty – Marginalia "I think of my work as a kind of ecology in the sense that everything that comes out of it is part of the practice and needs to be accounted for. My practice is really a proposition about a possible arrangement of productive forces, a kind of system of relations. The more well-conceived the system, the more it can fully account for all that it produces, and that includes what might seem like by-products." W. Beshty. In describing the making of his monumental commission at the Barbican Centre in London - thousands of cyanotypes, created over a year, cover the walls of the Curve there -, Walead Beshty virtually revealed the nature of his next show at Thomas Dane Gallery, staged to coincide with his project at the Curve. ‘Marginalia’, taking its name from the comments, scribbles or illuminations in the margins of a book, includes the remnants, props, byproducts, ‘vestiges’ – generally speaking, the works - created through/while/after making other works. Even though this idea is at the very core of his practice: in essence, Beshty always makes art while making art while making art… And even though he often triggers the production of art through infiltrating pre-existing systems, structures, networks and apparatuses (such as X-ray machines at airports, courier companies…etc…), he had never staged an exhibition that illustrated so concisely the virtuous, recycling circle that his artistic production so uniquely embodies. The notion of Hierarchies – whether artistic or economical - is what is fascinatingly at stake here: traditionally, ‘marginalia(s)’ will add or detract the value of a book, according to the author of the notes. Here, the artist himself reveals, as well as upsets, the established values and systems of art-making, with a series of arresting, facetted new paintings realized as a support or background for the multitude of cyanotypes at the Barbican, which cohabit with aluminum and bronze relics, part negative-space, part leftovers, of his metal surrogates and tables, and a series of 104 X-Ray photographs, realized, literally, while traveling over four years (for shows, events…) and displayed for the first time in their original 5x4in. format.
Letterpress
14 x 8 1/2 inches
Multiples
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 11–15, 2011 LAX/IAD/ZRH ZRH/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: January 30–February 19, 2011 LAX/LHR/CPH CPH/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 25–29, 2011 LAX/SFO/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: May 26–30, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: May 26–30, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: June 12–23, 2011 LAX/IAD/MAD MAD/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 12–23, 2011 LAX/IAD/MAD MAD/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: July 6–10, 2011 LAX/ORD/PWM PWM/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: July 6–10, 2011 LAX/ORD/PWM PWM/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2031: July 30–August 2, 2011 LAX/DEN/RAP RAP/DEN/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05182: July 30–August 2, 2011 LAX/DEN/RAP RAP/DEN/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 2051: August 20–24, 2011 LAX/ORD/MIA MIA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: August 20–24, 2011 LAX/ORD/MIA MIA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 1–11, 2011 LAX/IAD/BRU BRU/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: September 1–11, 2011 LAX/IAD/BRU BRU/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 19–28, 2011 LAX/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: September 19–28, 2011 LAX/PEK PEK/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 8–10, 2011 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 8–10, 2011 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 21–24, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 21–24, 2011 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: December 15–17, 2011 LAX/SFO/SEA SEA/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: December 15–17, 2011 LAX/SFO/SEA SEA/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: February 16–20, 2012 LAX/ORD ORD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: February 16–20, 2012 LAX/ORD ORD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 1–2, 2012 LAX/SLC SLC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 1–2, 2012 LAX/SLC SLC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 15–19, 2012 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 15–19, 2012 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 2–5, 2012 LAX/PVD JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 2–5, 2012 LAX/PVD JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 13–23, 2012 LAX/SFO/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 13–23, 2012 LAX/SFO/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 5–12, 2012 LAX/SFO/FRA ZHR/FRA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: June 5–12, 2012 LAX/SFO/FRA ZHR/FRA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: July 20–23, 2012 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: July 20–23, 2012 LAX/JFK JKF/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: August 2–6, 2012 LAX/SFO/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 2–6, 2012 LAX/SFO/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 24–October 2, 2012 LAX/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 24–October 2, 2012 LAX/PVG PVG/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 3–8, 2012 LAX/JFK IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 3–8, 2012 LAX/JFK IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: October 11–14, 2012 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: October 11–14, 2012 LAX/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: November 15–18, 2012 LAX/SFO/BOS BOS/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: November 15–18, 2012 LAX/SFO/BOS BOS/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: November 20–December 7, 2012 LAX/IAD/VIE VIE/CDG CDG/DUS/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: November 20–December 7, 2012 LAX/IAD/VIE VIE/CDG CDG/DUS/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: May 8–13, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: May 8–13, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: March 3–5, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: March 3–5, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: April 12–25, 2013 LAX/ORD/CDG CDG/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: April 12–25, 2013 LAX/ORD/CDG CDG/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: January 31–February 17, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: January 31–February 17, 2013 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: May 31–June 11, 2013 LAX/SFO/FRA/BEY BEY/CDG CDG/AMS/ZRH FRA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: May 31–June 11, 2013 LAX/SFO/FRA/BEY BEY/CDG CDG/AMS/ZRH FRA/ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 14–18, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05281: June 14–18, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: June 27–July 2, 2013 LAX/ORD/LHR LHR/IAH/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 27–July 2, 2013 LAX/ORD/LHR LHR/IAH/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: July 28–August 10, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: July 28–August 10, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: August 18–24, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 18–24, 2013 LAX/GDL GDL/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1021: September 26–29, 2013 LAX/ELP ELP/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 26–29, 2013 LAX/ELP ELP/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 13–17, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1021: October 13–17, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 18–22, 2013 LAX/SFO/CDG CDG/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 18–22, 2013 LAX/SFO/CDG CDG/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: October 24–27, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: October 24–27, 2013 LAX/DFW DFW/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1022 November 21–December 1, 2013 LAX/EWR/TLV TLV/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 21–December 1, 2013 LAX/EWR/TLV TLV/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 Em. No. 1022: December 2–3, 2013 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: December 2–3, 2013 LAX/MIA MIA/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: February 12–18, 2014 LAX/IAD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: February 12–18, 2014 LAX/IAD/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: March 12–17, 2014 LAX/LHR/TXL TXL/MUC MUC/TXL TXL/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: March 12–17, 2014 LAX/LHR/TXL TXL/MUC MUC/TXL TXL/LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: April 29–May 8, 2014 LAX/JFK LGA/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: April 29–May 8, 2014 LAX/JFK LGA/ORD ORD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: May 25–June 8, 2014 LAX/LHR/TXL TXL/FRA/BEY BEY/FRA/TXL TXL/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: May 25–June 8, 2014 LAX/LHR/TXL TXL/FRA/BEY BEY/FRA/TXL TXL/EWR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: June 26–July 15, 2014 LAX/EWR JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: June 26–July 15, 2014 LAX/EWR JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: August 6–12, 2014 LAX/MCO/EYW EYW/FLL/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: August 6–12, 2014 LAX/MCO/EYW EYW/FLL/SFO/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 6–October 16, 2014 LAX/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 6–October 16, 2014 LAX/LHR LHR/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 1–5, 2014 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 1–5, 2014 LAX/JFK JFK/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 17–September 18, 2014 LHR/TXL/TXL/LHR]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 17–September 18, 2014 LHR/TXL/TXL/LHR]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: September 20–21, 2014 LCY/ZRH ZRH/LCY]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: September 20–21, 2014 LCY/ZRH ZRH/LCY]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 1–9, 2014 LAX/EWR EWR/MUC/TXL TXL/MUC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400 NC Em. No. 1022: November 1–9, 2014 LAX/EWR EWR/MUC/TXL TXL/MUC/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Positive) [Fujichrome RDPIII Provia 100F Em. No. 05481: November 20–27, 2014 LAX/LHR LHR/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches
Transparency (Negative) [Kodak Portra 400NC Em. No. 1022: November 20–November 27, 2014 LAX/LHR/LHR/IAD/LAX]
Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper
14 x 11 inches