• Solo Exhibitions
    • Profit & Loss, Regen Projects, 2024
    • Addendum, Thomas Dane Gallery, 2022
    • Foreign Correspondence, Galerie Eva Presenhuber, 2021
    • Standard Deviations, Kunst Museum Winterthur, 2020
    • Industrial Portraits, MAST Foundation, 2020
    • Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019
    • Three Pictures, Rodolphe Janssen, 2019
    • Musée d'art moderne et contemporain, Geneva, Switzerland, 2019
    • Aggregato, Thomas Dane Gallery Naples, 2018
    • Equivalents, Regen Projects, 2018
    • Open Source, Petzel, 2017
    • Transparencies, Rat Hole Gallery, 2017
    • Automat, Galerie Eva Presenhuber, 2016
    • Great Hall Exhibition, Institute of Fine Arts, New York University, 2015
    • Disponibles, Travesía Cuatro, 2015
    • Walid AlBeshti, Regen Projects, 2015
    • Marginalia, Thomas Dane Gallery, 2014
    • Gastarbeiten, Capitain Petzel, 2014
    • A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014
    • Performances Under Working Conditions, Petzel, 2014
    • Selected Bodies of Work, Regen Projects, 2014
    • 8 rue Saint-Bon, 2013
    • Fair Use, Power Station, 2013
    • Travel Pictures, Thomas Dane Gallery, 2012
    • PROCESSCOLORFIELD, Regen Projects, 2011
    • A Diagram of Forces, Malmö Konsthall, 2011
    • A Diagram of Forces, Centro de Arte Dos de Mayo, 2011
    • Securities and Exchanges, Ullens Center for Contemporary Art, 2011
    • Diapositives, Galerie Rodolphe Janssen, 2011
    • Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009
    • Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009
    • Popular Mechanics, Wallspace, 2009
    • Passages, LAXART, 2009
    • Production Stills, Thomas Dane Gallery, 2009
    • Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008
    • Industrial Pictures, Galerie Rodolphe Janssen, 2008
  • Selected Group Exhibitions
    • Aichi Triennale: Taming Y/Our Passion, Aichi Prefecture, Japan, 2019
    • Progressive Praxis, de la Cruz Collection, 2016
    • All the World’s Futures, La Biennale di Venezia, 2015
    • Atopolis, Wiels at Mons, 2015
    • Repetition and Difference, The Jewish Museum, 2015
    • The Endless Renaissance, Bass Museum of Art, 2012
    • FIVE, Baibakov Projects, 2009
    • Altermodern: Tate Triennial, Tate Britain, 2009
    • Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009
    • Biennial Exhibition, Whitney Museum, 2008
  • Collaborations
    • Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014
    • Hardbody Software with Kelley Walker, Redling Fine Art, 2014
    • Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010
    • Plug n Play with Karl Haendel, Redling Fine Art, 2009
  • Curatorial Projects
    • Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018
    • Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017
    • Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016
    • A Machinery for Living, Petzel, 2014
    • Again, Once Again, Many Times More, Martos Gallery, 2014
    • On the Matter of Abstraction (figs. A & B) ... , Rose Art Museum, Brandeis University, 2013
    • Blind Spot Magazine, No. 46, 2013
    • Sunless, Thomas Dane Gallery, 2010
    • Picture Industry (Goodbye to All That), Regen Projects, 2010
    • There is Always a Background / CMYK, Cabinet Magazine, 2010
    • The Gold Standard, P.S.1 Contemporary Art Center, 2006
    • Invisible Hands and The Common Good, Champion Fine Art, 2005
  • Bodies of Work
    • 00.00.00, 2022
    • After the Ends, 2006/2012
    • American Passages, 2001–2011
    • Art Handling, 2011–
    • Bandit Sign Paintings, 2024–
    • Banknotes, 2021–
    • Black and White Directional Folds, 2006–2014
    • Blind Collages, 2017–
    • Body Prints, 2017–
    • Ceramics, 2013–
    • Cigarette paintings, 2018–
    • Color Loops, 2008–2011
    • Color Pulls, 2008
    • Composites, 2022–
    • Black Curls, 2010–2013
    • Six-Color Curls, 2009–2010
    • Three-Color Curls, 2008–2013
    • White Curls, 2013–2014
    • Cyanotypes, 2009–
    • Decoys, 2011–
    • Drawings, 2014–
    • Dust, 2005–2009
    • Eight Young Men ... , 2002
    • Excursionist Views, 2001/2005
    • FedEx Copper Works, 2009–
    • FedEx Glass Works, 2007–
    • Industrial Portraits, 2008–
    • Industrial Portraits (2008–), 2019–
    • Island Flora, 2005
    • Make Readies, 2010–
    • Marginalia Paintings, 2013–2015
    • Mirrored Floor, 2009–
    • Multi-Sided Pictures, 2007–
    • Newspapers, 2013–
    • Office Works, 2014–
    • Oil Paintings, 2013–2015
    • The Phenomenology of Shopping, 2001–2003
    • Pictures Made by My Hand with the Assistance of Light, 2005–2014
    • RA4 Color Reliefs, 2022–
    • RA4 Contact Prints, 2014–
    • Inverted RA4 Contact Prints, 2016–
    • Asymmetrical Inverted RA4 Contact Prints, 2018–
    • Remnants, 2011–
    • Screen Boxes, 2021–
    • Screen Tests, 2022
    • Selected Works, 2008–
    • Sign Boxes, 2020–
    • Smart Objects, 2024
    • Soft Pictures, 2012
    • Surrogates (Full Sheet, Art Handling), 2011–
    • Surrogates (Modular, Art Handling), 2014–
    • Surrogates (Tabletop and Desktop), 2008–
    • Curved Copper Surrogates, 2019–
    • Curved Steel Surrogates, 2019–
    • -Televisions-, 2014–
    • Transparencies, 2008–2014
    • Transparencies, 2014–
    • Travel Pictures, 2006/2008
    • -Travel-Pictures-, 2012
    • Union Pacific Avenue, 2021–
    • Unmaskings, 2012–2013
  • Works by Year
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
    • 2014
    • 2013
    • 2012
    • 2011
    • 2010
    • 2009
    • 2008
    • 2007
    • 2006
    • 2005
    • 2004
    • 2003
    • 2002
  • Procedural Texts
    • American Passages 2001–2011
    • Non-Pictorial Photographic Works 2005–
    • Picture Made by My Hand with the Assistance of Light Works 2005–2011
    • Black and White Fold Works 2006–2012
    • Multi-Sided Picture Works 2006–2012
    • Three Color Curl Works 2008–2013 and Six Color Curl Works 2009–2010
    • Black Curl Works 2010–2013
    • White Curl Works 2013–2014
    • RA4 Contact Print Works 2014–
    • Cross-Contaminated RA4 Contact Print Works 2014–
    • Inverted RA4 Contact Print Works 2016–
    • Cross-Contaminated Inverted RA4 Contact Print Works 2016–
    • After the Ends 2006/2012
    • Travel Picture Works 2006/2008, 2012
    • FedEx Works 2007–
    • Industrial Portrait Works 2008–
    • Selected Works 2008–
    • Surrogate Works 2008–
    • Transparency Works 2008–
    • Mirrored Floor Works 2009–
    • Make-Ready Works 2010–
    • Art Handling Works 2011–
    • Decoy Works 2011–
    • Remnant Works 2011–
    • A Partial Disassembling ... 2013–2014
    • Marginalia Works 2013–2015
    • Ceramic Works 2013–2015
    • Canceled Television Works 2014–
    • Office Works 2014–
    • Travel Drawing Works 2014–
    • Blind Collage Works 2017–
    • Body Print Works 2017–
    • Sign Box Works 2020–
    • Screen Box Works 2021–
    • Banknote Works 2021–
    • Union Pacific Avenue Works 2021–
    • RA4 Color Relief Works 2022–
    • Composite Works 2022–
    • Screen Test Works 2022
  • Publications
    • Addenda to a Sequence of Appearances: Walead Beshty Studios Inc at Dane Chantala Associates Ltd
    • Walead Beshty: Work in Exhibition 2011–2020
    • Picture Industry: A Provisional History of the Technical Image, 1844–2018
    • Walead Beshty: Procedurals, Petzel 2014–2017
    • Industrial Portraits: Volume One, 2008–2012
    • Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)
    • Ethics: Documents of Contemporary Art
    • Walead Beshty: Natural Histories
    • Walead Beshty: Selected Correspondences 2001–2010
    • Later Layer: Johnston Marklee and Walead Beshty
    • Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows
  • Interviews
    • Walead Beshty in conversation with Hamza Walker
    • Brooklyn Rail: In Conversation Walead Beshty with Amy Ontiveros
    • Bomb Magazine: Walead Beshty & Eileen Quinlan
    • Open Source: Walead Beshty in Conversation with Bob Nickas
  • Selected Essays
    • Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech
    • How Important is Art as a Form of Protest
    • Bodies in Space: Some notes on the work of Nairy Baghramian
    • The Story of O: Gesture in the Work of Laura Owens
    • Notes for an Introductory Lecture
    • Toward an Aesthetics of Ethics
    • In Medias Res (On the Work of Sharon Lockhart)
  • Video
  • Info
    • Bio
    • CV
    • Contact
  • Menu

Walead Beshty Studios, Inc.

  • Solo Exhibitions
    • Profit & Loss, Regen Projects, 2024
    • Addendum, Thomas Dane Gallery, 2022
    • Foreign Correspondence, Galerie Eva Presenhuber, 2021
    • Standard Deviations, Kunst Museum Winterthur, 2020
    • Industrial Portraits, MAST Foundation, 2020
    • Abstract of A Partial Disassembling of an Invention without a Future ..., Petzel, 2019
    • Three Pictures, Rodolphe Janssen, 2019
    • Musée d'art moderne et contemporain, Geneva, Switzerland, 2019
    • Aggregato, Thomas Dane Gallery Naples, 2018
    • Equivalents, Regen Projects, 2018
    • Open Source, Petzel, 2017
    • Transparencies, Rat Hole Gallery, 2017
    • Automat, Galerie Eva Presenhuber, 2016
    • Great Hall Exhibition, Institute of Fine Arts, New York University, 2015
    • Disponibles, Travesía Cuatro, 2015
    • Walid AlBeshti, Regen Projects, 2015
    • Marginalia, Thomas Dane Gallery, 2014
    • Gastarbeiten, Capitain Petzel, 2014
    • A Partial Disassembling of an Invention without a Future ... , Barbican Centre, 2014
    • Performances Under Working Conditions, Petzel, 2014
    • Selected Bodies of Work, Regen Projects, 2014
    • 8 rue Saint-Bon, 2013
    • Fair Use, Power Station, 2013
    • Travel Pictures, Thomas Dane Gallery, 2012
    • PROCESSCOLORFIELD, Regen Projects, 2011
    • A Diagram of Forces, Malmö Konsthall, 2011
    • A Diagram of Forces, Centro de Arte Dos de Mayo, 2011
    • Securities and Exchanges, Ullens Center for Contemporary Art, 2011
    • Diapositives, Galerie Rodolphe Janssen, 2011
    • Legibility on Color Backgrounds, Hirshhorn Museum and Sculpture Garden, 2009
    • Pulleys, Cogwheels, Mirrors, and Windows, University of Michigan Museum of Art, 2009
    • Popular Mechanics, Wallspace, 2009
    • Passages, LAXART, 2009
    • Production Stills, Thomas Dane Gallery, 2009
    • Science Concrète, China Art Objects Galleries / Redling Fine Art, 2008
    • Industrial Pictures, Galerie Rodolphe Janssen, 2008
  • Selected Group Exhibitions
    • Aichi Triennale: Taming Y/Our Passion, Aichi Prefecture, Japan, 2019
    • Progressive Praxis, de la Cruz Collection, 2016
    • All the World’s Futures, La Biennale di Venezia, 2015
    • Atopolis, Wiels at Mons, 2015
    • Repetition and Difference, The Jewish Museum, 2015
    • The Endless Renaissance, Bass Museum of Art, 2012
    • FIVE, Baibakov Projects, 2009
    • Altermodern: Tate Triennial, Tate Britain, 2009
    • Walead Beshty, Kelley Walker, Christopher Williams, China Art Objects Galleries, 2009
    • Biennial Exhibition, Whitney Museum, 2008
  • Collaborations
    • Crystal Voyager with Kelley Walker, Paula Cooper Gallery, 2014
    • Hardbody Software with Kelley Walker, Redling Fine Art, 2014
    • Later Layer with Johnston Marklee Architects, Istituto Italiana di Cultura, 2010
    • Plug n Play with Karl Haendel, Redling Fine Art, 2009
  • Curatorial Projects
    • Picture Industry: A Provisional History of the Technical Image, 1844–2018, Luma Arles, 2018
    • Picture Industry, Hessel Museum, Center for Curatorial Studies, Bard College, 2017
    • Picture Industry, Systematically Open? New Forms for Contemporary Image Production, LUMA Arles, 2016
    • A Machinery for Living, Petzel, 2014
    • Again, Once Again, Many Times More, Martos Gallery, 2014
    • On the Matter of Abstraction (figs. A & B) ... , Rose Art Museum, Brandeis University, 2013
    • Blind Spot Magazine, No. 46, 2013
    • Sunless, Thomas Dane Gallery, 2010
    • Picture Industry (Goodbye to All That), Regen Projects, 2010
    • There is Always a Background / CMYK, Cabinet Magazine, 2010
    • The Gold Standard, P.S.1 Contemporary Art Center, 2006
    • Invisible Hands and The Common Good, Champion Fine Art, 2005
  • Bodies of Work
    • 00.00.00, 2022
    • After the Ends, 2006/2012
    • American Passages, 2001–2011
    • Art Handling, 2011–
    • Bandit Sign Paintings, 2024–
    • Banknotes, 2021–
    • Black and White Directional Folds, 2006–2014
    • Blind Collages, 2017–
    • Body Prints, 2017–
    • Ceramics, 2013–
    • Cigarette paintings, 2018–
    • Color Loops, 2008–2011
    • Color Pulls, 2008
    • Composites, 2022–
    • Black Curls, 2010–2013
    • Six-Color Curls, 2009–2010
    • Three-Color Curls, 2008–2013
    • White Curls, 2013–2014
    • Cyanotypes, 2009–
    • Decoys, 2011–
    • Drawings, 2014–
    • Dust, 2005–2009
    • Eight Young Men ... , 2002
    • Excursionist Views, 2001/2005
    • FedEx Copper Works, 2009–
    • FedEx Glass Works, 2007–
    • Industrial Portraits, 2008–
    • Industrial Portraits (2008–), 2019–
    • Island Flora, 2005
    • Make Readies, 2010–
    • Marginalia Paintings, 2013–2015
    • Mirrored Floor, 2009–
    • Multi-Sided Pictures, 2007–
    • Newspapers, 2013–
    • Office Works, 2014–
    • Oil Paintings, 2013–2015
    • The Phenomenology of Shopping, 2001–2003
    • Pictures Made by My Hand with the Assistance of Light, 2005–2014
    • RA4 Color Reliefs, 2022–
    • RA4 Contact Prints, 2014–
    • Inverted RA4 Contact Prints, 2016–
    • Asymmetrical Inverted RA4 Contact Prints, 2018–
    • Remnants, 2011–
    • Screen Boxes, 2021–
    • Screen Tests, 2022
    • Selected Works, 2008–
    • Sign Boxes, 2020–
    • Smart Objects, 2024
    • Soft Pictures, 2012
    • Surrogates (Full Sheet, Art Handling), 2011–
    • Surrogates (Modular, Art Handling), 2014–
    • Surrogates (Tabletop and Desktop), 2008–
    • Curved Copper Surrogates, 2019–
    • Curved Steel Surrogates, 2019–
    • -Televisions-, 2014–
    • Transparencies, 2008–2014
    • Transparencies, 2014–
    • Travel Pictures, 2006/2008
    • -Travel-Pictures-, 2012
    • Union Pacific Avenue, 2021–
    • Unmaskings, 2012–2013
  • Works by Year
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
    • 2014
    • 2013
    • 2012
    • 2011
    • 2010
    • 2009
    • 2008
    • 2007
    • 2006
    • 2005
    • 2004
    • 2003
    • 2002
  • Procedural Texts
    • American Passages 2001–2011
    • Non-Pictorial Photographic Works 2005–
    • Picture Made by My Hand with the Assistance of Light Works 2005–2011
    • Black and White Fold Works 2006–2012
    • Multi-Sided Picture Works 2006–2012
    • Three Color Curl Works 2008–2013 and Six Color Curl Works 2009–2010
    • Black Curl Works 2010–2013
    • White Curl Works 2013–2014
    • RA4 Contact Print Works 2014–
    • Cross-Contaminated RA4 Contact Print Works 2014–
    • Inverted RA4 Contact Print Works 2016–
    • Cross-Contaminated Inverted RA4 Contact Print Works 2016–
    • After the Ends 2006/2012
    • Travel Picture Works 2006/2008, 2012
    • FedEx Works 2007–
    • Industrial Portrait Works 2008–
    • Selected Works 2008–
    • Surrogate Works 2008–
    • Transparency Works 2008–
    • Mirrored Floor Works 2009–
    • Make-Ready Works 2010–
    • Art Handling Works 2011–
    • Decoy Works 2011–
    • Remnant Works 2011–
    • A Partial Disassembling ... 2013–2014
    • Marginalia Works 2013–2015
    • Ceramic Works 2013–2015
    • Canceled Television Works 2014–
    • Office Works 2014–
    • Travel Drawing Works 2014–
    • Blind Collage Works 2017–
    • Body Print Works 2017–
    • Sign Box Works 2020–
    • Screen Box Works 2021–
    • Banknote Works 2021–
    • Union Pacific Avenue Works 2021–
    • RA4 Color Relief Works 2022–
    • Composite Works 2022–
    • Screen Test Works 2022
  • Publications
    • Addenda to a Sequence of Appearances: Walead Beshty Studios Inc at Dane Chantala Associates Ltd
    • Walead Beshty: Work in Exhibition 2011–2020
    • Picture Industry: A Provisional History of the Technical Image, 1844–2018
    • Walead Beshty: Procedurals, Petzel 2014–2017
    • Industrial Portraits: Volume One, 2008–2012
    • Walead Beshty: 33 Texts: 93,614 Words: 581,035 Characters: Selected Writings (2003–2015)
    • Ethics: Documents of Contemporary Art
    • Walead Beshty: Natural Histories
    • Walead Beshty: Selected Correspondences 2001–2010
    • Later Layer: Johnston Marklee and Walead Beshty
    • Walead Beshty: Pulleys, Cogwheels, Mirrors, and Windows
  • Interviews
    • Walead Beshty in conversation with Hamza Walker
    • Brooklyn Rail: In Conversation Walead Beshty with Amy Ontiveros
    • Bomb Magazine: Walead Beshty & Eileen Quinlan
    • Open Source: Walead Beshty in Conversation with Bob Nickas
  • Selected Essays
    • Improvisation and the Agency of the Commons: Notes on Counterfeiting as a Form of Radical Speech
    • How Important is Art as a Form of Protest
    • Bodies in Space: Some notes on the work of Nairy Baghramian
    • The Story of O: Gesture in the Work of Laura Owens
    • Notes for an Introductory Lecture
    • Toward an Aesthetics of Ethics
    • In Medias Res (On the Work of Sharon Lockhart)
  • Video
  • Info
    • Bio
    • CV
    • Contact